This year winter has seemed to outlast last year's winter leaving me in the blues. It was not until my trip to New York City this weekend that I realized spring is near. As I wandered on the streets of New York City I stumbled upon a massive sculpture of roses that were almost 25 ft in height. On Park Ave, between the streets of 57th and 67th there is a row of roses that has been installed on January 25th 2011. These gigantic rose installations by William Ryman brings to life any pedestrian or resident passing by or living there. The Roses are installed only temporarily till May and serve to be interpretive in many ways. According to Ryman, the roses symbolize romance, celebration, death and commercialism with the audience. Ryman emphasized the different perspectives of the roses and their value according to the viewer.
The free standing installation allowed the viewer to see it in different angles creating different perspectives according to the viewer. Due to the installation being surrounded by other live plants, it proved to have more of a surrealistic, Alice in Wonderland type of an effect. The assembly of the Roses was made out of mainly stainless steel and fiber glass, which allowed the installations to withstand harsh weathers. The volumetric forms of the roses vary from each rose installation. Most of them are irregular volumetric forms that are smooth on the petals of the roses however some contain thorns in the stem part of the roses. These forms are organized according to the theme of each type of rose and the presence of bugs, thorns, bees or leaves. The linear perspective however can be seen
viewing the flowers straight down Park Avenue. In addition, a linear perspective is also seen in a perpendicular manner in some parts of the installation where the rose is approximately 25 feet. Hence, creating an Alice in Wonderland kind of perspective for a viewer who is walking past the installation.
In these installations, the form and space interpenetrate because the space is the city and the form is each rose. The massive forms of roses create an illusion of belonging of the roses to the vast space on Park Avenue. Each rose is to be seen through a different perspective so as to the engage the viewer. For example, the interpretation of the Roses may vary if a viewer sees it from their balcony versus a pedestrian just walking past the Roses. In one instance, the Roses may seem miniscule while in a contrasting situation the Roses may be seem gigantic. This interpretation is further broadened by the warm colors used by the artist to depict these roses. The pink and red used to express roses and the green to depict stems and leaves shows the arrival of Spring. The colors of the installations are bright regardless of what the weather may be. On a sunny day, the Roses may be brighter as well as on a snow day. The installation may be temporary however, the optimism installed is permanent. In this process, the Roses have brought optimism to new yorkers and to tourists who travel across the world to see the Big Apple.
As a viewer from underneath the Roses, the perspective of a giant rose was phenomenal. The instantaneous happiness that arose within seconds of laying my eyes on it convinced me that spring was near. In addition, it also depicted optimism because of the the brightness of colors used by the artist. The vastness and the optimism of New York City is well depicted in these installations. The magnificence of a creation that is 'larger than life' is truly worthy of New York City.
The different standpoints of individuals is what Ryman attempted to capture with such installations. Using sturdy materials and bright paints made the Roses sturdy enough to withstand any form of weather. The permanence of optimism was therefore planted by assembling different forms of materials together. My astonishment when looking at the Roses for the first time was identical to Alice in Wonderland. In many ways, Ryman succeeded in planting optimism to new yorkers in a dreary winter.
No comments:
Post a Comment